The Synth Wreck of Vasa

by Dada Pogrom

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    A hand stamped, chromium dioxide cassette release of the Synth Wreck of Vasa in a violet plastic shell with red leader tape. There are 100 in total, each hand numbered. The dubbing was done in real time with an all analogue signal path.

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    A very limited CD release of The Synth Wreck of Vasa in a hand stamped sleeve.

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1.
das Sammelgrab die Sammelgräber
2.
Ablation 03:50
same receiver same reveiver same receiver same receiver ha ha ha
3.
A Fable IX 03:45
survey the gardens, fields and bowers the buds, the blossoms and the flowers then tell me there the wood bine grows, that vies in sweetness with the rose? or where the lilly's snowy white that throws such beauties on the fight? yet folly is it to declare, that these are neither sweet nor fair the crystal shines with fainter rays before the di'mons brighter blaze and fops will say, the di'mond dies before the luster of your eyes and fops will say, the di'mond dies before the luster of your eyes but i, who deal in truth, deny that neither shine when you are by neither shines when you are by
4.
Dismantle 04:02
dismantle dismantle dismantle your culture dismantle your name dismantle your vision dismantle your pain i see exactly how the time is meant to build a foreign landscape in a place out of the mind too many differences to leave the mean of gain in fallen tresspasses with certainty in vain dismantle your culture dismantle your name dismantle your vision dismantle your pain dismantle dismantle dismantle dismantle dismantle dismantle your culture dismantle your name dismantle your vision dismantle your pain we fare as northern winds return to mourn the leaves doubly forsaken hands in idleness dispair coldness comforting the darkened mire of ice another winter on another paradise ansonsten rests a ready land turning above biostic structure of a gloming trail flames of the waxing tides mark seedlings to the way the great red harvest mark will blue on a new day dismantle your culture dismantle your name dismantle your vision dismantle your pain
5.
Nocturnus 04:10
waiting for the night a speech of destiny rivers of a wonderous mark centuries from the last time last time with elegant ruins of machinery and walls of a fallen great city echoed danger awaits in a thicket of stone broken bones in the moonlight can't walk can't talk can't run i fly (synth solo) can't walk can't talk can't run (synth solo) rivers of a wonderous mark centuries from the last time elegant ruins of machinery walls of a fallen great city (synth solo) a speech of destiny echoed danger awaits in a thicket of stone lifting off from the sop ground wonder fast unseen a stranger to company for an ancient place in the rooms of a path to the future (close synth solo) is this the dream or a lie
6.
Walk Away 04:00
walk away walk away the time is past the moon is gone got my hands in my pockets winds of the fairest times you said walk so i walk away to the trinity of wild ones and the beginning of a new day (synth solo) {walk away} {walk} {walk away} {walk} {walk away} enter to the night the hounds of the veil the chastity of horror hunt on a murkened trail heiress of the altar all the lights that burn on the lands of all her time and we shall never return (synth solo) {walk} {walk away} {walk} {walk away} {walk away} walk away walk away (101 synth solo) the time is past the moon is gone got my hands in my pockets winds of the fairest times you said walk so i walk away to the trinity of wild ones and the beginning of a new day (synth solo) {walk away} {walk away} {walk} {walk away} {walk} {walk away}
7.
Intrepid 04:57
ahoi, i drive the highway graciously ahoi, i drive the highway graciously ahoi, forever in the mirror lee ahoi, i drive the highway graciously (whistle solo) sure the half of me is far away the breach of feeling that i can not stay for ever drives my car through nova realms headlamps revealing what's before the helm creature autoworks upon the roads bonded steel and flesh are living nodes the soul and wisdom of a wandering man the standing search for farther abendlands ahoi, i drive the highway graciously ahoi, i drive the highway graciously ahoi, forever in the mirror lee ahoi, i drive the highway graciously (whistle solo) sure the half of me is far away the breach of feeling that i can not stay the soul and wisdom of a wandering man the standing search for farther abendlands a motor's comfort on the vast benign over fastness scapes and lampstar shine wish i could rest here for another day but my true home is alone on the highway ahoi, i drive the highway graciously ahoi, i drive the highway graciously ahoi, forever in the mirror lee ahoi, i drive the highway graciously (whistle solo)
8.
Autovore 03:38
i want you to meet yourself in a favourable way sun tides on a perfect taste of a wisting wine i want you to meet yourself in a favourable way to more formulate the question and to say goodbye (synth solos) good bye i want you to meet yourself in a favourable way sun tides on a perfect taste of a wisting wine i want you to meet yourself in a favourable way to more formulate the question and to say goodbye (synth solos) to say good bye good bye good bye say good bye good bye

about

An octave of tech noire.

This album coalesced from songs performed live many times without recording or release. After a time these eight gravitated together. This project was recorded in Reykjavík using a few fine old analogue synthesizers and drum machines as it was performed. In a fashion, the album is more the product of evolution than engineering.

The recordings were mastered on tape. The tape stock used was SM911. The main synthesizers used here are the Minimoog, Jupiter-6, EEH Banana, SH-09, TR-808, Jupiter-4 and SH-101. The effects units used were the Revox A-77, Dynacord VRS23 and PDD-14. The sequencers used were MPC-2000 and Atari 520ST.

credits

released March 8, 2020

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all rights reserved

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about

Dada Pogrom Reykjavík, Iceland

Dada Pogrom's founder and sole permanent member is Kenneth Walter Balys.

He is a computer scientist specializing in cinema and electronic music and has been producing and performing electronic music since 1981.

He harnesses technical knowledge garnered from years working in aerial geophysics and communications engineering to make art.
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